Having grown up in a musical family that would often get together and perform, Raphael Groten picked up the guitar at age thirteen after playing the saxophone during his younger childhood years. Later taking an interest in the holistic healing arts, he entered shamanic studies and sound therapy practices, thereby utilizing a variety of acoustic world instruments to help positively effect both mind and body. This newfound path in life was particularly inspired by a near-fatal accident involving his then four month old son, after Groten played guitar for him during that first night in intensive care, an experience that was followed-up the next day by a therapeutic harpist who also played for his son in his room.
Co-produced with Will Ackerman and Tom Eaton, as well as mixed, mastered and engineered at Ackerman’s own Imaginary Road Studios in Vermont, Star Lullaby is Raphael Groten’s sublime 2019 follow-up to his 2015 debut release, Journey Home. That four-year period between the two albums not only allowed Groten to further mature as an artist, but to additionally develop his own sacred path as an integral part of what he calls “intentional healing music”.
Resulting in a phenomenal double-album consisting of 29 tracks in total, Star Lullaby is the perfect kind of record you wouldn’t want to leave behind while living in or lodging at a cabin in the woods. Providing the listener with two slightly, yet distinctive, listening experiences, disc one is comprised exclusively of fingerstyle acoustic guitar solos, while disc two includes both collaborative renditions of the original solo pieces, as well as additional environmental sounds and textures on those compositions and other non-collaborative pieces.
Having enlisted the talented contributions of some well-known musicians who are often recruited for Imaginary Road Studios projects, our ears are variably treated on the second disc to the harmonizing accents of cello (Eugene Friesen), violin (Charlie Bisharat), flute (Rob Korb), bass guitar (Michael Manring), percussion (Jeff Haynes), and additional acoustic guitar (Will Ackerman).
While listening to this supreme recording, scenic images of mountains, rivers and wildlife come to mind, as well as the comforting warmth of a cozy fireplace. By allowing just the right amount of thoughtful pause between the intricate notes of his reflective melodies, Groten creates a calming space for the listener to relax, imagine or contemplate.
Highlights include the opening “Dawn”, which is a perfect song to wake up to first thing in the morning. Its soothing melody is further enhanced on disc two with the airy tones of gentle wind chimes. Likewise, the alternate take of “Waking” is subtly expounded upon by both cascading and percussive rainstick. This popular indigenous instrument is also heard on the ensemble variation of “Levity”, a marvelously livelier piece that is additionally accentuated by Ron Korb’s sprightly flute and Jeff Haynes' folksy percussion. One can easily imagine themselves taking a stroll through the woods at night while nodding along to this tune, or perhaps enjoying a celebration with friends around a campfire.
Another favorite, “Compassion”, displays an improvised arrangement on which Eugene Friesen’s cello provides a solemn elegance to delicate guitar figures. “Prayer” is perhaps the loveliest piece on the album and is noted by its Latin-style guitar melody. Mysteriously meditative, this enchanting tune feels evocative of walking alone through an old Spanish monastery, even more so while listening to the slightly alternate version, which is softly enhanced by distant birdsong.
Finally, we are treated to three variations of the title piece, “Star Lullaby”, the last of which appropriately concludes the album. Featuring Noah Wilding on vocals in addition to Michael Manring on bass guitar, both male and female lyrical vocals soothingly sing a prayerful lullaby.
Depicting the mysterious night owl against a starry sky, the album’s artwork aptly conveys the nocturnal woodland feel of these beautiful compositions. Therefore, if you love contemplative acoustic guitar music, particularly in the style of classic Windham Hill or Narada Records, then you will most certainly cherish Star Lullaby! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon and other retail & streaming platforms.
Friday, January 31, 2020
Wednesday, January 29, 2020
Album Review: Two Hearts by David Wahler
In addition to having enjoyed a successful career in Interior Design, acclaimed composer David Wahler has also released a string of outstanding albums over the past several years which have been particularly well received among contemporary instrumental and new age music circles.
On what could fittingly be described as "romantic lullabies for lovers", Two Hearts is imbued with a Greek mythical semblance that seemingly relates the story of a reunification of soulmates. Comprised of eleven enchanting compositions, the album showcases beautifully tender keyboard and woodwind melodies accompanied by delicate string textures, ethereal vocal pads and silky synth grooves.
Highlights include “Paris Rain”, a gorgeous number that feels evocative of sailing down a river beneath vivid constellations in the night sky, as shimmering sounds mimic twinkling stars and mist-filled waters. Speaking of constellations, “Night Sky of Orion (Remix)” is another prepossessing piece that similarly paints imagery of a starry firmament casting its light upon a watery abode, aptly conveyed by the composition's gently rippling outward figures and softly shuffling rhythm. Lastly, the mysterious “Confession” conveys a secret to tell and is perfectly illustrated by a haunting melody wrapped in a mythic aura of hidden halls and shadowy sirens.
In an utmost compliment, while listening to this recording, at times I was simultaneously reminded of new age landmark album Enchantment by Chris Spheeris and Paul Voudouris, as well as The Ambient Collection by Art of Noise.
An overall mesmerizing display of dreamily romantic and lushly ethereal synthesizer ballads, Two Hearts is quintessential new age music with a touch of ambient groove! ~Candice Michelle
For more information, please visit the artist's website. This album is also available at Amazon and other retail & streaming platforms.
On what could fittingly be described as "romantic lullabies for lovers", Two Hearts is imbued with a Greek mythical semblance that seemingly relates the story of a reunification of soulmates. Comprised of eleven enchanting compositions, the album showcases beautifully tender keyboard and woodwind melodies accompanied by delicate string textures, ethereal vocal pads and silky synth grooves.
Highlights include “Paris Rain”, a gorgeous number that feels evocative of sailing down a river beneath vivid constellations in the night sky, as shimmering sounds mimic twinkling stars and mist-filled waters. Speaking of constellations, “Night Sky of Orion (Remix)” is another prepossessing piece that similarly paints imagery of a starry firmament casting its light upon a watery abode, aptly conveyed by the composition's gently rippling outward figures and softly shuffling rhythm. Lastly, the mysterious “Confession” conveys a secret to tell and is perfectly illustrated by a haunting melody wrapped in a mythic aura of hidden halls and shadowy sirens.
In an utmost compliment, while listening to this recording, at times I was simultaneously reminded of new age landmark album Enchantment by Chris Spheeris and Paul Voudouris, as well as The Ambient Collection by Art of Noise.
An overall mesmerizing display of dreamily romantic and lushly ethereal synthesizer ballads, Two Hearts is quintessential new age music with a touch of ambient groove! ~Candice Michelle
For more information, please visit the artist's website. This album is also available at Amazon and other retail & streaming platforms.
Friday, January 10, 2020
Aural Awakenings: Episode 36 ~ The Top 25 Albums of 2019
A special 2-hour episode showcasing music from some of the most memorable releases of 2019 in the new age, neoclassical and contemporary instrumental genres!
TIME / ARTIST NAME / TRACK TITLE / ALBUM TITLE
First Set:
0:00:17 / Scott August / Spirit of the Canyon / Beyond Summer
0:05:05 / Al Jewer & Andy Mitran / Welcoming Light (ft. Sherry Finzer) / Perihelion
0:10:03 / Juliet Lyons / Flow / The Light Within
0:17:15 / Acoustic Ocean / Spirit Awakening / Blue Moon Rising
0:21:35 / Kerani / Sakura / Small Treasures
0:26:48 / Sharon Fendrich / Song of the Dove / Red Sky Prairie
Second Set:
0:31:38 / Rémi Orts Project / Leaves Are Falling / Peaceful Moments (Reign of the Forest)
0:36:32 / Mirabai Ceiba / Silence to Break / Agua De Luna
0:40:35 / Timothy Wenzel / Gazelle Dance / Running Away
0:44:33 / Camille Nelson / Into the West (ft. Alex Sharpe) / Sacred Lullabies
0:49:16 / David Wahler / Night Sky of Orion (Remix) / Two Hearts
0:54:55 / Lisa Pressman / At First Light / As We Imagine
1:00:00 / Shoshana Michel / Shooting Stars / Reflection
Third Set:
1:05:27 / Douglas Blue Feather / Celebration Day / Ascension
1:09:41 / Harrison Edwards / Into the Light / Into the Unknown
1:13:33 / Sangeeta Kaur / Sa Re Sa Sa / Compassion
1:20:26 / Forrest Smithson / Compassion Wheel / The Healer’s Way
1:26:41 / Libera / Benedictus Deus / Beyond
1:30:01 / Crystalline Dream / Inner Voice (ft. Alex Kelly) / Seventh Chakra
Fourth Set:
1:37:18 / Jonny Lipford / Migration / Migration
1:42:31 / Vellua / Meraki / Portrait of Souls
1:46:46 / Paul Adams & Elizabeth Geyer / All That I Am / Deeper Imaginings
1:52:37 / Mikuskovics Baum / Endless Ozean / Timeless
1:59:15 / Karen Biehl / Meditation on a Moonlit Lake (Full Version) / Starlight Dreams
2:03:45 / Peter Kater / Angel’s Nest / Wings
Sunday, December 22, 2019
Album Review: Open Waters by Todd Mosby
Todd Mosby is an acclaimed jazz guitarist who’s opened for top names in the smooth jazz genre such as The Rippingtons, Michael Franks and Chris Botti. He’s also a member of the four-piece acoustic folk ensemble, Four Guitars, which includes legendary guitarist and Windham Hill Records founder Will Ackerman. Additionally, Mosby studied classical North Indian music for 13 years with Indian sitar player Ustadt Imrat Khan, which helped to formulate his own style of fusing the polyrhythms and polyphony derived from that region with contemporary jazz music. Perhaps most notably, Mosby co-conceived the Imrat guitar (along with Kim Schwartz and Imrat Khan), a 20-stringed hybrid instrument that looks and sounds like a cross between a western guitar and an Indian sitar.
With his fifth album, Todd Mosby sails the seven seas on Open Waters, a leisurely musical adventure inspired by Greek philosopher Plato’s legendary lost civilization of Atlantis. Mosby, like myself, has been fascinated by this most intriguing tale ever since he was a child, and similarly, that curiosity never left him as an adult. Comprised of 12 songs spanning approximately 52 minutes, the album transpires like an archetype voyage from the mythical kingdom to a new land, moving in a westward direction across the ocean.
Produced by Will Ackerman and Tom Eaton, Open Waters also enlists the contributing musical talents of other familiar names like Charlie Bisharat (violin), Jeff Haynes (percussion), Michael Manring (bass), Premik Russell Tubbs (EWI and saxophone), and others.
“Drifting” introduces the album with a supremely serene soundscape, as the meditatively melodic tones of Mosby’s signature Imrat guitar are seemingly set adrift upon a liquid haze. Named for the album’s overarching theme, “Atlantica” follows with gentle percussion, saxophone and bass guitar, as Mosby alternates between his versatile instrument’s acoustic guitar and sitar sound. Ensuing next is "Open Waters", one of the album’s main highlights, which showcases the ethereal vocal intonations of Lola Hennecki accompanied by a characteristically easygoing, smooth jazz arrangement.
One of my favorite pieces herein is the dreamily tranquil “A New Land”, which effectively brings-to-mind that of sailing down a lazy river, as a peaceful acoustic guitar melody in tandem with subtle piano notes (courtesy of Fiona Joy Hawkins) are smoothly carried along by understated percussion. We are then greeted by lyrical female vocals on “Western Sky”, another jazzy piece with a touch of Bossa Nova. Reverting to a tenderer mood, “Dolphin Song” conveys both serenity and playfulness with its pastoral collage of guitar, piano and violin at the forefront.
Arguably Todd Mosby’s most outstanding work to date, Open Waters mesmerizingly imparts a cooling and calming effect upon the senses, as it paints relaxing images of sunny beaches, sailing the oceans and dreaming in paradise. A masterful display of acoustic folk and smooth jazz with Caribbean and Eastern musical overtones, Open Waters easily earns a spot as one of the year’s finest instrumental acoustic albums! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, iTunes and other retail & streaming platforms.
With his fifth album, Todd Mosby sails the seven seas on Open Waters, a leisurely musical adventure inspired by Greek philosopher Plato’s legendary lost civilization of Atlantis. Mosby, like myself, has been fascinated by this most intriguing tale ever since he was a child, and similarly, that curiosity never left him as an adult. Comprised of 12 songs spanning approximately 52 minutes, the album transpires like an archetype voyage from the mythical kingdom to a new land, moving in a westward direction across the ocean.
Produced by Will Ackerman and Tom Eaton, Open Waters also enlists the contributing musical talents of other familiar names like Charlie Bisharat (violin), Jeff Haynes (percussion), Michael Manring (bass), Premik Russell Tubbs (EWI and saxophone), and others.
“Drifting” introduces the album with a supremely serene soundscape, as the meditatively melodic tones of Mosby’s signature Imrat guitar are seemingly set adrift upon a liquid haze. Named for the album’s overarching theme, “Atlantica” follows with gentle percussion, saxophone and bass guitar, as Mosby alternates between his versatile instrument’s acoustic guitar and sitar sound. Ensuing next is "Open Waters", one of the album’s main highlights, which showcases the ethereal vocal intonations of Lola Hennecki accompanied by a characteristically easygoing, smooth jazz arrangement.
One of my favorite pieces herein is the dreamily tranquil “A New Land”, which effectively brings-to-mind that of sailing down a lazy river, as a peaceful acoustic guitar melody in tandem with subtle piano notes (courtesy of Fiona Joy Hawkins) are smoothly carried along by understated percussion. We are then greeted by lyrical female vocals on “Western Sky”, another jazzy piece with a touch of Bossa Nova. Reverting to a tenderer mood, “Dolphin Song” conveys both serenity and playfulness with its pastoral collage of guitar, piano and violin at the forefront.
Arguably Todd Mosby’s most outstanding work to date, Open Waters mesmerizingly imparts a cooling and calming effect upon the senses, as it paints relaxing images of sunny beaches, sailing the oceans and dreaming in paradise. A masterful display of acoustic folk and smooth jazz with Caribbean and Eastern musical overtones, Open Waters easily earns a spot as one of the year’s finest instrumental acoustic albums! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, iTunes and other retail & streaming platforms.
Wednesday, December 11, 2019
Album Review: Merry Christmas by Giuseppe Dio
Giuseppe Dio is an Italian electronic music composer who’s explored everything from deep space to dream house on his previous recordings. This time around, he eases comfortably into the holiday spirit with a lovely 24-minute EP that’s simply titled Merry Christmas. Rendering six compositions on electronic synthesizers, Dio has selected a very fitting collection of songs that all beautifully complement one another.
Processional drums, soaring synths and celestial vocal tones majestically open “Adeste Fideles” (aka “O Come All ye Faithful”) which is eventually followed up by the much beloved “Auld Lang Syne”. Vividly conjuring images of decorated cathedral halls and colorful Christmas lights, Dio’s symphonic electronic arrangements pleasantly recalls much of Vangelis’ more cinematically oriented works.
I was most delighted to see a rendition of Franz Schubert’s iconic “Ave Maria” included here, as I’ve always found it to be one of the most beautiful pieces of religious music ever written. Dio puts an epically cosmic and wintery spin on the composition, all while perfectly preserving the sacred reverence of the original masterpiece.
Another highlight is the nocturnally peaceful “O Tannenbaum” (aka “Oh Christmas Tree”) which wraps the lead melody in spacious notes and twinkling stars, effectively conveying a cold winter’s night.
Call it “new age Christmas music” if you like. Either way, this fantastic little collection of cinematic cosmic carols is easily one of the most enjoyable holiday listens of the season! ~Candice Michelle
For more information, please visit the artist's website. This EP is also available on Amazon, iTunes and other retail and streaming platforms.
Processional drums, soaring synths and celestial vocal tones majestically open “Adeste Fideles” (aka “O Come All ye Faithful”) which is eventually followed up by the much beloved “Auld Lang Syne”. Vividly conjuring images of decorated cathedral halls and colorful Christmas lights, Dio’s symphonic electronic arrangements pleasantly recalls much of Vangelis’ more cinematically oriented works.
I was most delighted to see a rendition of Franz Schubert’s iconic “Ave Maria” included here, as I’ve always found it to be one of the most beautiful pieces of religious music ever written. Dio puts an epically cosmic and wintery spin on the composition, all while perfectly preserving the sacred reverence of the original masterpiece.
Another highlight is the nocturnally peaceful “O Tannenbaum” (aka “Oh Christmas Tree”) which wraps the lead melody in spacious notes and twinkling stars, effectively conveying a cold winter’s night.
Call it “new age Christmas music” if you like. Either way, this fantastic little collection of cinematic cosmic carols is easily one of the most enjoyable holiday listens of the season! ~Candice Michelle
For more information, please visit the artist's website. This EP is also available on Amazon, iTunes and other retail and streaming platforms.
Tuesday, December 10, 2019
Top 25 Albums of November
01. Douglas Blue Feather – Ascension
02. Thomas Lemmer – In Silence
03. Paul Adams & Elizabeth Geyer – Deeper Imaginings
04. David Wahler – Two Hearts
05. Andy Rogers – The White Piano
06. Dulce Joya – Devotion
07. Gina Lenee' – Revealed
08. Rachel Lafond – The 52
09. Holly Jones – Art on the Piano
10. Guy Sweens – Moon Magic
11. Gabriele Saro – Sensations
12. Ian Maksin – Sempre: A New Dimension
13. Peter Kater – Wings
14. Medwyn Goodall – The Goddess of Machu Picchu
15. Christopher Boscole – Dawn of Love
16. Silvard – Moment for Yourself
17. Rémi Orts Project – Peaceful Moments: Reign of the Forest
18. Rob Simonsen – Rêveries
19. Voxfire – Fontis
20. Harrison Edwards – Into the Unknown
21. Forrest Smithson – The Healer’s Way
22. Dad Chadburn – Love Themes for Solo Piano
23. Alan Matthews – Denial’s End
24. Joss Jaffe – Meditation Music
25. Piers Adams & Larry Lush – Bach Side of the Moon
02. Thomas Lemmer – In Silence
03. Paul Adams & Elizabeth Geyer – Deeper Imaginings
04. David Wahler – Two Hearts
05. Andy Rogers – The White Piano
06. Dulce Joya – Devotion
07. Gina Lenee' – Revealed
08. Rachel Lafond – The 52
09. Holly Jones – Art on the Piano
10. Guy Sweens – Moon Magic
11. Gabriele Saro – Sensations
12. Ian Maksin – Sempre: A New Dimension
13. Peter Kater – Wings
14. Medwyn Goodall – The Goddess of Machu Picchu
15. Christopher Boscole – Dawn of Love
16. Silvard – Moment for Yourself
17. Rémi Orts Project – Peaceful Moments: Reign of the Forest
18. Rob Simonsen – Rêveries
19. Voxfire – Fontis
20. Harrison Edwards – Into the Unknown
21. Forrest Smithson – The Healer’s Way
22. Dad Chadburn – Love Themes for Solo Piano
23. Alan Matthews – Denial’s End
24. Joss Jaffe – Meditation Music
25. Piers Adams & Larry Lush – Bach Side of the Moon
Thursday, November 21, 2019
Album Review: Santa Plays the Stick by Michael Kollwitz
Having listened to and reviewed prior albums in his impeccably soothing Serenity trilogy, lifelong Chapman Stick player Michael Kollwitz dons more festive attire and gets into the Christmas spirit on his latest album, Santa Plays the Stick. An innovative stringed instrument created by Emmet Chapman, The Chapman Stick closely resembles the neck of a guitar, except that it’s played more like a piano.
Currently living in Sedona, Arizona, Kollwitz formerly resided in Hawaii for a time, and prior to that, in Sacramento, California. Naturally, the many breathtaking natural vistas, which encompass everything from the red rocks to the blue Pacific, are frequently conveyed through Kollwitz’ music, while his instrument often emits a warm and woodsy sound of which particularly on this album, seemingly evokes the warmth of a cozy fireplace, or a forest cabin in the winter.
Spanning approximately 50 minutes long, Santa Plays the Stick is comprised of 15 pacifying arrangements on solo Chapman Stick, with gentle layers and additional effects created via his instrument. He also lends playful improvised elements and a bit of leisurely twang throughout.
Opening with the peaceful lullaby, “Away In A Manger”, the album also includes several lovely renditions of other traditional carols such as “The First Noel”, “Angels We Have Heard on High”, and the tender finale, “Silent Night”. He also covers contemporary favorites like “Deck the Halls”, “The Twelves Days of Christmas” and “We Wish You a Merry Christmas”.
Additionally, Kollwitz produced four compositions on this album that effectively capture the atmosphere of the winter season. The first of these, “Pile of Presents”, is aptly ornamented by an icy and sparkling effect throughout. He also impresses us with other originals like “Snow Ride”, “December Wedding” and “Basket Full of Joy”.
Finally, I appreciate how the album’s title and artwork conveys a sense of humor on the part of the artist, although make no mistake about it, Michael Kollwitz’ musical ingenuity and talent are not to be taken lightly.
Like finding a hot spring in the middle of an ice lake, Santa Plays the Stick is the perfect seasonal album to add warmth, joy and relaxation to your holiday listening experience! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, iTunes and other retail & streaming platforms.
Currently living in Sedona, Arizona, Kollwitz formerly resided in Hawaii for a time, and prior to that, in Sacramento, California. Naturally, the many breathtaking natural vistas, which encompass everything from the red rocks to the blue Pacific, are frequently conveyed through Kollwitz’ music, while his instrument often emits a warm and woodsy sound of which particularly on this album, seemingly evokes the warmth of a cozy fireplace, or a forest cabin in the winter.
Spanning approximately 50 minutes long, Santa Plays the Stick is comprised of 15 pacifying arrangements on solo Chapman Stick, with gentle layers and additional effects created via his instrument. He also lends playful improvised elements and a bit of leisurely twang throughout.
Opening with the peaceful lullaby, “Away In A Manger”, the album also includes several lovely renditions of other traditional carols such as “The First Noel”, “Angels We Have Heard on High”, and the tender finale, “Silent Night”. He also covers contemporary favorites like “Deck the Halls”, “The Twelves Days of Christmas” and “We Wish You a Merry Christmas”.
Additionally, Kollwitz produced four compositions on this album that effectively capture the atmosphere of the winter season. The first of these, “Pile of Presents”, is aptly ornamented by an icy and sparkling effect throughout. He also impresses us with other originals like “Snow Ride”, “December Wedding” and “Basket Full of Joy”.
Finally, I appreciate how the album’s title and artwork conveys a sense of humor on the part of the artist, although make no mistake about it, Michael Kollwitz’ musical ingenuity and talent are not to be taken lightly.
Like finding a hot spring in the middle of an ice lake, Santa Plays the Stick is the perfect seasonal album to add warmth, joy and relaxation to your holiday listening experience! ~Candice Michelle
For more information please visit the artist's website. This album is also available at Amazon, iTunes and other retail & streaming platforms.
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