Showing posts with label indian fusion. Show all posts
Showing posts with label indian fusion. Show all posts

Friday, June 3, 2022

Album Review: Gone Beyond by Donna De Lory

Review by Lissette Cascante
 
Singer, songwriter, arranger, producer, and multi-instrumentalist Donna De Lory has established herself as a dominant, constantly evolving artist, whose extensive and varied musical portfolio includes such genres as pop, world, electronica, spiritual/devotional, and yoga/relaxation music. Growing up in a musical family, De Lory is a veteran of the music industry, having crisscrossed the globe many times between 1987 and 2006 as a touring back-up vocalist and dancer for Madonna. Her voice has been featured on countless recordings of renowned and award-winning artists.

It was her inner voice, however, that lead Donna to embrace a more spiritual side of music and to release numerous albums in the genre throughout the 2000s to critical acclaim. Being a follower and practitioner of Hindu traditions and drawing from the infinite supply of the divine for inspiration, Donna creates harmonic prayers, mantras and chants that resonate with hearts and souls around the world, promoting wellness, healing, mindfulness, peace, and tranquility. To quote the artist “Now, more than ever, I feel like we have to go within and find heaven inside ourselves, so that we have the peace and strength to stay positive, despite everything that’s going on in the world, and make a difference.“ Her most recent album, Gone Beyond, is her 17th solo recording. All songs on the album were written and produced by Donna De Lory and were inspired during pandemic isolation.

The first track, “So Hum/Breathing In” serves as a gentle guide into stress-relieving breathwork, ushering the listener to a place of calmness and focus. The phrase So Hum is a Hindu mantra which in Sanskrit literally means “I am that” implying our interconnectedness with all that is, or the Universe. Perfect for centering oneself; whether on a quick break in the middle of a busy day, or in a meditation or yoga practice. This sweet melody is comprised of repetitive mantras wrapped in Donna’s soothing layered vocal harmonies, accompanied by piano, Pedal Steel and electric guitars, and singing bowls.

“Ma Song” was inspired by Jennifer Berezen’s popular mantra/chant "Returning". An emotive call to our “mother”, the source of our being. This track features Donna De Lory’s vocals and harmonium, beautifully accompanied by Piano, Guitar, Strings, Tabla, Bass and Cello. “Forgiveness Prayer” is probably my favorite track on the album. A sense of being lifted up and floating to a higher place where walls of pride, bitterness and strife crumble and give way to refreshing waters of love, forgiveness and healing. The vocals are transporting and beyond sublime in this piece. The cello adds a melancholy tone and the electric guitar an ethereal, vibrational experience.

The continuous flow of each track on Gone Beyond makes this album a perfect companion for a meditation and/or yoga practice, regardless of your spiritual persuasion. “I wanted to make a record that would be good for so many different experiences,” says Donna. “Yoga class, standing on top of a mountain, sacred ceremonies, healing....” It’s an expansive listening experience which conveys a quiet, holistic wisdom uncommon in today’s chaotic culture. Calmness and centeredness are the intrinsic elements in each track which I found to elevate beyond the physical sphere, helping to bring the mind, body, and spirit into true alignment.

“Om Gate Gate Paragate” with apropos meaning of “Gone, Gone, Gone beyond Gone utterly beyond” is a powerful message and teaching in Hindu tradition. A sense of liberation and self-empowerment permeates this entrancing track. While “Mary Meditation” takes the listener into a sanctuary of sound, with high and deep vocals floating on a backdrop of shamanic-like drumming. Another favorite track of mine is “Where I Find You”. I love the piano in this track.

“Asatoma Sadgamaya” is based on a mantra to the Universe for enlightenment and freedom from fear. This mantra song is beautifully adorned in rich vocal harmonies, strings, bass, guitar, and drum. The final track “Unbreakable” really brings out the sublime beauty of Donna’s voice and her talent for creating gorgeous heavenly melodies and poignant lyrics. Indeed, Donna’s striking vocals, the music she intones, and her artistic creativity really shine throughout this album. We end our session with a fuller sense of being present, and better clarity of mind and purpose, but mostly grateful to be able to enjoy this otherworldly sensory experience.  

~Lissette Cascante for Auralscapes 

For more information please visit the artist's website. Gone Beyond is also available at Amazon, iTunes, and more. 

Wednesday, May 18, 2022

Album Review: The Moon's Within Reach by Karavan Sarai

Review by Abdul Yamani


Karavan Sarai creates world fusion music that traverse landscapes spanning from the Middle East to South Asia. Their debut album Woven Landscapes (2015) along with the band’s follow-up releases Painted Sands (2018) and Torn In Love (2020) all peaked at high positions on world music charts and achieved much critical acclaim. 

On their latest release, The Moon’s Within Reach, Karavan Sarai takes us on a mesmerizing journey inspired by Silk Road pathways and desert sands. Here you’ll discover the spirit of Egyptian, Arabian, Turkish and Indian music fused with the lush electronic creations of two-time Grammy-nominated producer and programmer Carmen Rizzo.

Instrumentalist, vocalist, composer and producer Narayan Sijan describes images of “Sufis playing music, whirling from the deserts of India to the Nile River and the Valley of the Kings in Egypt” and “fire in the sand dunes under a starry night” among his personal encounters and experiences which inspire his musical art-form, and are captured in the album’s two meditatively flowing compositions.

On the extended hypnotic piece, “Longing in the Stars" featuring Tabeah, the Turkish saz is brought into dialogue with the Egyptian oud which are encompassed by ambient textures sustained throughout. Transcendent male and female vocal melodies eventually join along, creating a colorful cultural tapestry that speaks to the depths of the soul as a sonic perfume fills the air with a mystical scent.

~Abdul Yamani for Auralscapes

For more information please visit Karavan Sarai's website. The Moon's Within Reach is also available at Bandcamp, iTunes and more.

Wednesday, December 15, 2021

Album Review: Divine Tides by Stewart Copeland + Ricky Kej

Review by Marilyn Torres


The collaboration of Stewart Copeland (legendary drummer of the British rock band The Police) and acclaimed Indian music composer Ricky Kej in their album Divine Tides, brings us a majestic experience of sounds that capture the essence of being. If one should write what one knows, then Copeland and Kej have played what they feel in the most excellent way. 

The percussion takes center stage from the start with strong timpani in “Wonders of Life”, and fuels the eagerness for what might await ‘round the next musical note as Rasika Shekar’s vocals take over with classic Indian melodic form.

“Himalayas” is next and it renders an ethereal breadth with its chant beginning followed by Varijashree Venugopal’s vocals, which scale and crest with momentary scat reminiscent of Ella Fitzgerald. The next two pieces, “Our Home” and “Art of Devotion”, also make use of timpani, sitar and Indian vocalization, and then “Pastoral India” with its uptempo invites us to dance.

“I Am Change” duplicates the melody of “Himalayas”, however the vocals are provided by Salim Merchant this time and his voice impresses as a call to action.

In the grand “A Prayer”, we are treated to the powerful blend of The Royal Philharmonic Orchestra and the Soweto Gospel Choir fittingly elevating the tone to the skies as the piece ends.

For “Gandhi”, the guitar, played by Santhosh Chandran, lends a melancholy edge and guides the listener through the various vocals and other instruments with tender but surefooted control.

As the opus concludes with “Mother Earth”, the strings make the perfect companion to the various vocals which climax on a high note; proper indeed!

~Marilyn Torres for Aural Awakenings

For more information please visit the Divine Tides website; also available at Amazon, Apple Music, and more.