Inspired by the Hawaiian Islands and holistic healing arts, Blue Moon Rising is comprised of eleven compositions spanning approximately 48 minutes. Throughout its course, reflective acoustic guitar melodies are woven among atmospheric soundscapes that incorporate calming nature sounds.
Instruments played by the versatilely talented Bette Phelan include fretless bass, electric guitar, Ebow, Celtic whistle, mountain dulcimer, mandolin, banjo and piano. Additionally, Bette lends soothing wordless vocals while Kay Aldrich provides peaceful cello throughout.
Highlights include the opening piece, “A Hui Hou (Until We Meet Again)”, which seemingly bodes as the perfect homage to Phelan’s longtime musical partner. This somewhat wistful yet warmly comforting tune showcases softly cascading guitar accompanied by gentle strings, of which perhaps can be likened to the refreshing serenity of a light rain shower.
One of my favorite compositions herein is the title track, “Blue Moon Rising”, which opens with the nocturnal sounds of rainstick and chirping crickets. Bearing a notable Celtic touch expressed by its warmly engaging acoustic ensemble, this enchanting piece brings-to-mind cozy images of a campfire in the woods.
Bette’s wordless vocal intonations beautifully accentuate other personal favorites, such as the mesmerizingly oceanic “Deep Grace / Scarborough Fair” and the melodically memorable “Love Is a Force Field”.
Lending itself as the perfect relaxation soundtrack while never once descending into forgettable background music, Blue Moon Rising boasts subtly layered acoustics and spacious organic soundscapes of pristine beauty and reflective soulfulness. Surely Peggy Morgan would be proud of Bette Phelan’s profoundly touching musical accomplishment, as this one is certainly destined to be among this year’s best acoustic albums! ~Candice Michelle
This album is available at Amazon, iTunes, Google Play and CD Baby.