Tuesday, May 31, 2022

Album Review: Positano Songs by Will Ackerman

Review by Lissette Cascante

The strings on Will’s guitar vibrate with joy, warmth, and simplicity in his latest CD of all original acoustic compositions Positano Songs, a musical memoir of his years visiting Positano, a charming, iconic village on the famous Amalfi Coast of Italy. Having been to Italy and its Mediterranean coasts several times myself, I can relate to the magical feeling one is easily wrapped in. I recommend reading through the inside liner notes so you can enjoy Will’s musings of his favorite getaway to truly appreciate this album. If you’ve never been to Positano, this album will take you there. If you have been, this album will take you there again, but maybe in a more reflective and engaged way… 


After a long period of not writing, Will Ackerman, award-winning guitarist, producer, and founder of Windham Hill Records, went on a quest to find new musical inspiration: “I hadn’t written any new music in quite some time…, recounts Ackerman, “it occurred to me that if there were any place in this world where I could probably find inspiration and write again, it would be in Positano, Italy.” And so it was that in 2015, after immersing himself in the sights and sounds of that enchanting region and its people; conjuring up its dearest memories, Will brought back a lovely bouquet of songs infused with the fragrances of his beloved Positano. As Will puts it “Piece after heartfelt piece simply materialized.”

There are no fancy orchestrations, no loud crescendos, or exorbitant vocals to impress. Simple, heartfelt compositions expertly performed, and organic instrumentation sweep the listener away to a place of beauty, genuineness, and quiet reflection on the things that really matter.

Will plays three guitars in the album, his Froggy Bottom K Model six string, the Martin parlor guitar gifted to him by the late great Michael Hedges years ago, and a jumbo Steve Klein guitar for lead parts. Adding their talents are friends and accomplished musicians such as Tom Eaton (piano and bass), Charlie Bisharat (violin), Eugene Friesen (cello), Noah Wilding (vocals), and Jeff Oster (Flugelhorn). All songs are composed by Will Ackerman.

The album begins with "Nighttime in the Chapel", as Will’s solitary 6-string guitar gently invites the listener to sit alongside him, alone at midnight, in the chapel of the little village of Nocelle, where he and his wife Susan were married years before and watch the shadows dance happily on the wall.

Wafts of gratitude and joy engage our senses in “Our Wedding Song” as friends join in the celebration. With Charlie Bisharat contributing violin, Noah Wilding vocals, and Tom Eaton bass, a beautiful milestone moment is etched in memory and music.

Like awakening from a dream not being quite sure of reality from the surreal “Did I Dream This” enhanced by Eugene Friesen’s cello, Noah’s ethereal vocals, and Tom Eaton on piano and bass, recreates the lovely haunting, misty sensation of the moonlit night in Positano which Will describes through his slow reflective guitar; his memory of an elusive melody in the distance lingers on.

“The End of the Day”, a walk home alone after a nice evening dinner in this remote place, the glowing spirit of friendship lighting the way at night is artfully expressed through guitar chords, violin, and soft voices. “For Carmine” is a sweet melody dedicated to a longtime dear friend of Will’s and resident of Positano. With Will on parlor & 6 string guitars, Eugene Friesen on cello, and Tom Eaton on bass.

My favorite track is “This Is Where It Begins”. I really like the musical instrumentation combination, the way each come in at just the right time, the gliding violin, piano keys chiming in crystalline form, and as Will describes, that feeling of “coming home”. Envision mild weather, breezy, sunny days, delicious Mediterranean dinners, conversation, and laughter with cherished friends, sparkling moonlit nights.

The timeless, relaxed atmosphere of the region, reminiscent of "la dolce vita" continues in tracks like The Tyrrhenian Sea with pensive, quiet, repetitive guitar strokes reflecting on the ocean waves; and Passing Baldo's Tower inviting us to take in the beauty, while “For Giovanni” is dedicated to his dear friend and owner of the upstairs apartment where Will stayed at through the years every visit.

The album starts solo and ends solo because, after all, it’s Will’s journey. “I Had to Go There” is about the power of “point of contact” experience, reliving the memories i.e., one last time to the Chapel, last dinner at the place of his wedding dinner years ago (Dona Rosa in Montepertuso), smiles, and warm welcomes. We are grateful that Will found the inspiration he went searching for; and could return home ready to put all those warm feelings, emotions, and memories in his diary of musical interpretation to share with us in such a beautiful, simple, and expressive way. If I could describe Will Ackerman’s latest album Positano Songs in one word, it would be “simplicity.”

“…I’ve learned to shut out rational thought and simply feel…. “— Will Ackerman

Positano Songs is produced by Tom Eaton and Will Ackerman. Mixed and mastered by Tom Eaton. Recorded at Imaginary Road Studios, Windham County, Vermont. 

~Lissette Cascante for Auralscapes 

For more information please visit the artist's website. Positano Songs is also available at Amazon, iTunes, and more. 

Wednesday, May 18, 2022

Album Review: The Moon's Within Reach by Karavan Sarai

Review by Abdul Yamani


Karavan Sarai creates world fusion music that traverse landscapes spanning from the Middle East to South Asia. Their debut album Woven Landscapes (2015) along with the band’s follow-up releases Painted Sands (2018) and Torn In Love (2020) all peaked at high positions on world music charts and achieved much critical acclaim. 

On their latest release, The Moon’s Within Reach, Karavan Sarai takes us on a mesmerizing journey inspired by Silk Road pathways and desert sands. Here you’ll discover the spirit of Egyptian, Arabian, Turkish and Indian music fused with the lush electronic creations of two-time Grammy-nominated producer and programmer Carmen Rizzo.

Instrumentalist, vocalist, composer and producer Narayan Sijan describes images of “Sufis playing music, whirling from the deserts of India to the Nile River and the Valley of the Kings in Egypt” and “fire in the sand dunes under a starry night” among his personal encounters and experiences which inspire his musical art-form, and are captured in the album’s two meditatively flowing compositions.

On the extended hypnotic piece, “Longing in the Stars" featuring Tabeah, the Turkish saz is brought into dialogue with the Egyptian oud which are encompassed by ambient textures sustained throughout. Transcendent male and female vocal melodies eventually join along, creating a colorful cultural tapestry that speaks to the depths of the soul as a sonic perfume fills the air with a mystical scent.

~Abdul Yamani for Auralscapes

For more information please visit Karavan Sarai's website. The Moon's Within Reach is also available at Bandcamp, iTunes and more.

Sunday, April 3, 2022

Auralscapes: Episode 002



A refreshing 2-hour episode of contemporary instrumental, contemporary world & contemporary classical music from across the globe.

TIME / ARTIST / TRACK TITLE / ALBUM-EP-SINGLE
0:00:00 / Kelly Andrew / Onagar / Revelation
0:04:22 / Kerani / The Water of Life / The Water of Life
0:09:16 / David De Michele / Hope After the Storm / Beyond
0:14:55 / Omar Akram / Open Skies / Echoes of Love
0:19:41 / Opium Moon / Opium Moon: Day / Night + Day
0:27:49 / Clarico / The Wound Between Us / The Wound Between Us
0:30:26 / Secret Garden / Escape / White Stones
0:33:54 / David Arkenstone & Diane Arkenstone / The Crystal Shores / Avalon: Between Earth and Sky
0:37:42 / Yungchen Lhamo / Loving Kindness / Awakening
0:40:57 / James Asher & Arthur Hall / From the Ground Up / Energised by Stars
0:44:37 / Wouter Kellerman & David Arkenstone / Across Land and Sea / Pangaea
0:48:48 / Angèle Dubeau / Flight / Elle
0:53:10 / Peter Calandra / Caritas / Caritas
0:58:43 / Karavan Sarai / Become My Moon (part 1) / The Moon’s Within Reach
1:03:45 / Kirsten Agresta Copely / Devotion / Devotion
1:06:09 / Juan Sanchez / A Nocturne / Touch and Sound
1:11:07 / Mamak Khadem / Remembrance / Remembrance
1:16:05 / AO Music / Into the Trees / Kutumba
1:19:50 / Will Ackerman / This is Where it Begins / Positano Songs
1:24:26 / Donna DeLory / Asatoma Sadgamaya / Gone Beyond
1:31:07 / Richard Souther / No Matter What the Storm May Be / Arc of Visibility
1:37:42 / Frolin / Dusk / Eventide
1:40:17 / Lis Addison / Mother Waters / Elements
1:47:02 / Kerry Barnes / Floral Notes / Just Piano 2
1:49:52 / Sushma Soma / Nature / Nature

Friday, March 18, 2022

Album Review: Music for Hard Times by The Living Earth Show and Danny Clay

Review by Candice Michelle

Presented as a two-volume set, Music for Hard Times is the sonic creation of The Living Earth Show and Danny Clay who conceived this album with the global hardships of the past couple of years as its inspiration. Recorded in isolation, and compiled and edited by Clay, volume one was created in April 2020 at the home of guitarist Travis Andrews and percussionist Andy Meyerson of The Living Earth Show. Contributions to the album include young musicians from the San Francisco Girls Chorus led by Valerie Sainte-Agathe, and the San Francisco Conservatory of Music led by Edwin Outwater. Further complimenting the audio experience is a limited-edition book created by Nick Ross and Brandie Grogan, as well as a full-length film produced by artist Jon Fischer.

Comprised of 15 compositions spanning approximately 1 hour and 15 minutes, each track is titled after the album and named in parts, opening with “Music for Hard Times, Pt. 1”. In what could be described as minimalist classical, avant-garde and experimentally environmental, Music for Hard Times employs various field recordings, conservatory instruments and textural vocalizations – effectively resulting in consciously understated ensemble arrangements.

Conveying an air of contemplative abstraction, sparsely executed and improvised melodies take freeform shape from an intriguing sound palette – such as the crystalline bells, slushing ice effects and suspended brass tones on the piece “Music for Hard Times, Pt. 4” – or the singing bowls, chirping birds and natural white noise on “Music for Hard Times, Pt. 5”.

Other notable pieces include “Music for Hard Times, Pt. 8” – the album’s lengthiest piece at nearly 13 minutes – which is sustained throughout by a droning undercurrent upon which sparse textural instrumentation gradually builds into a delicate confluence that washes over the aural senses. On “Music for Hard Times: Vol. 2, Pt. 2”, classical strings and vocalized improvisations expressed in delicate melancholic croons recall the Icelandic band Sigur Rós.

Culminating in an epilogue titled “Music for Hard Times: Epilogue”, a ray of sunshine seemingly pours through on the 15th and final track, bringing with it a soft glimmer of solace, hope and comfort.

~Candice Michelle for Auralscapes

For more information please visit the artist’s website. Music for Hard Times is also available at Bandcamp, Amazon and more.

Auralscapes: Episode 001



A refreshing 2-hour episode of contemporary instrumental, contemporary world & contemporary classical music from across the globe.

TIME / ARTIST / TRACK TITLE / ALBUM TITLE
0:00:00 / Kerani / Ocean Tides / The Water of Life
0:05:24 / Lis Addison / Breathing Green / Elements
0:12:10 / James Asher & Arthur Hall / Between Worlds / Energised by Stars
0:16:07 / Yungchen Lhamo / Nature’s Tears / Awakening
0:18:58 / Art Patience / The Unknown / The Unknown
0:25:03 / Carl Weingarten / A Fistful of Dust / Stop Me Try
0:31:36 / Céu / Um Gosto De Sol / Um Gosto De Sol
0:35:23 / David Darling / Water Dragon / Reverence
0:38:21 / Juan Sanchez / Sands of Time / Touch and Sound
0:44:43 / Stewart Copeland & Ricky Kej / Our Home / Divine Tides
0:48:08 / 2002 / Gathering the Clouds / Hummingbird
0:53:08 / Trine Opsahl / Rose of the Eternal Spring (Duo) / The Moon Stays Bright
0:57:24 / Kevin Keller / Inverness / Shimmer
1:03:21 / David Franklin / The Meeting Tree / Passings
1:07:00 / Esgazette & Edward Newell / Treasury of Reverie and Memory / Tide Tables
1:10:27 / Wouter Kellerman & David Arkenstone / The Sun’s Reflection / Pangaea
1:14:29 / Majestica / Beautiful Simplicity / Spire
1:18:30 / Donna DeLory / Ma Song / Gone Beyond
1:28:01 / Will Ackerman / Did I Dream This / Positano Songs
1:32:57 / Mamak Khadem / Dead and Alive / Remembrance
1:38:17 / Angèle Dubeau / Eliza Aria / Elle
1:41:34 / Yuval Ron feat. Úyanga Bold / Water of Forgiveness / Sacred Spiral
1:50:47 / The Living Earth Show & Danny Clay / Music for Hard Times, Pt. 4 / Music for Hard Times
1:55:30 / Richard Souther / Contrary Winds of Reassurance / Arc of Visibility

Friday, December 24, 2021

Album Review: This Beautiful Chaos by Trevor Gordon Hall

Review by Abdul Yamani


A deep, resonant, and pensive guitar melody in “Chasing the Chills”, the first track, sends a chill down one’s spine and introduces us to Trevor Gordon Hall’s latest album This Beautiful Chaos.

“Life is crazy and chaotic, but it is beautiful. We all need to be reminded of that from time to time” expounds Trevor of the dual nature of his album’s title. Given current world events at the time of this writing, no truer words were ever spoken.

Trevor Gordon Hall is an acoustic instrumentalist, gifted guitarist, composer and performer from Philadelphia, USA who allows his guitar to articulate his innermost thoughts, ideas, and expressions. His style ranges from edgy driving rhythms to delicate melodic themes. The album This Beautiful Chaos is a product of Trevor’s life experiences and travels poured into the notes, chords, and rhythms of his music. Trevor’s album features 6 different guitars: Standard Acoustic, Baritone Acoustic, Nylon String, High Strung Guitar, Electric Guitar, and a Portuguese instrument named Viola Amarantina. The variety in sound and rhythm create a unique blend of styles which keep the listener engaged and eager for what follows.

Wonderful surprises please the ear in tracks like the bluesy, uplifting “Ontic Blues”, and the melancholic ambient guitar sounds of “At Peace With Struggle”, a gentle reminder to “let go” of whatever tensions encumber our journey in life.

Because of the multiplicity in the techniques and instruments he employs, Trevor Gordon Hall’s music can be called easy, subtle, profound, abstract, uplifting, melancholy, introspective, yet infused with an overriding sense of contentment and purpose. The ingenious song titles tell as many stories as the varied instrumentation and styles he so skillfully displays.

Trevor Gordon Hall is widely recognized for his invention of the “Kalimbatar” — a guitar that combines a customized African finger piano, called the Kalimba. Trevor has garnered the admiration of and received countless praises from a who’s who in the music industry. Whether it’s through his solo work, international touring, new collaborations or teaching students, he thrives on the discovery and harnesses life’s possibilities.

On top of a touring calendar that has taken him through 17 countries and counting, his growing discography has amassed millions of listens and views through streaming and social media, allowing his music to connect across borders and languages. This Beautiful Chaos is a stunning musical escapade which amazes, calms, and inspires from start to finish.

~Abdul Yamani for Aural Awakenings

For more information please visit Trevor Gordon Hall's website. This Beautiful Chaos is available at Amazon, Apple Music and more.

Thursday, December 23, 2021

Aural Awakenings: Episode 51 – A Peaceful Soundscape for a Winter Wonderland



A 2-hour episode of peaceful music for a winter wonderland.
(Photo credit: Tim Kuret Photography.)

TIME / ARTIST / TRACK TITLE / ALBUM TITLE
0:00:26 / Enya / Trains and Winter Rains / And Winter Came
0:04:02 / Ciro Hurtado / Andean Celtic / Luna
0:08:03 / Stephen Peppos / Peppermint Garden / Botanical
0:13:15 / Laurence Furr / Where Angels Tread / Upon the Corner of the Moon
0:17:07 / Ann Sweeten / Arctic Dance / Change Is In The Wind
0:22:33 / Cantus / Vuelie / Northern Lights
0:25:49 / Richard Bone / The Owl Grove / Valengraph
0:30:21 / Marcia Watson Bendo / Snow Moon / Woodland Moons
0:36:42 / Trine Opsahl & Josefine Opsahl / Touched by an Angel / The Infinite Between Us
0:43:00 / Kurt Reiman / Evening Snowfall / North Maple Road
0:45:40 / Jon Mark / A Winter’s Story by the Firelight / The Standing Stones of Callanish
0:48:45 / Sting / Gabriel’s Message / If On A Winter’s Night…
0:51:15 / Trevor Gordon Hall / Chase the Chills / This Beautiful Chaos
0:53:57 / Jill Haley / Frost Tinged Evergreens / The Waters of Glacier
0:59:16 / Pam Asberry / Snow / Twelvemonth
1:02:42 / Bill Leslie / Scottish Lullaby / Celtic Peace
1:05:55 / Charles David Denler / A Winter’s Memory / Portraits In Season Live
1:08:53 / Loreena McKennitt / Snow / A Midwinter’s Night Dream
1:13:53 / Dino Malito / Aurora / Relax
1:17:38 / Michael Borowski / First Snow / Peace Valley
1:21:38 / Sherry Finzer / Wind Spirit / Connections
1:27:56 / Mediaeval Baebes / Angel of God / Prayers of the Rosary
1:30:48 / Lisa Lynne & Aryeh Frankfurter / Mysty Waltz / Harmony House
1:36:28 / Derek Wille / Cold Day / An Approaching Storm
1:41:03 / Ashley Davis / These Winter Days / Songs of the Celtic Winter
1:45:03 / Dave Eggar / Russian Winter / Awakening
1:47:58 / Pangaea Projekt / The Night Sky / Winter Vol. VII
1:50:27 / Suzanne Teng & Gilbert Levy / Winter Prayer / Whisper